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Designers

The houses, honestly explained

These are the houses that turn up most often in European estates, and several of them are the most faked names in jewelry. Each page covers what the house actually made, how the work is built and finished, and what its marks do and do not prove. We are an independent estate jeweler and are not affiliated with or endorsed by any of them.

Macro view of stamped hallmarks inside the shank of an antique gold ring

At a glance

Fourteen houses, what each is known for

HouseFoundedCityKnown for
Cartier1847ParisTank and Santos watches, LOVE and Trinity, Art Deco platinum
Tiffany & Co.1837New YorkThe Tiffany setting, Schlumberger and Elsa Peretti, American silver
Van Cleef & Arpels1906ParisMystery Set stones, Alhambra, Zip and ballerina clips
Bulgari1884RomeSerpenti, Tubogas gold, Monete coins and cabochon color
Boucheron1858ParisQuestion mark necklaces, nature motifs, Place Vendome goldsmithing
Chaumet1780ParisTiaras, Napoleonic history, light architectural settings
Buccellati1919MilanRigato and telato engraving, honeycomb tulle gold
PomellatoEstate1967MilanNudo colored stones in warm rose gold
FopeEstate1929VicenzaFlex'it woven gold mesh from Vicenza
Georg Jensen1904CopenhagenDanish sterling, design numbers, Koppel and Ditzel
David Webb1948New YorkEnamel animal bracelets, hammered gold, rock crystal
ChopardEstate1860SonvilierHappy Diamonds floating between crystals
Piaget1874La Cote-aux-FeesUltra-thin movements and hardstone dial gold watches
Mikimoto1893TokyoCultured pearls and matched Akoya strands

Houses marked estate are modern makers. We never describe a modern designer piece as vintage or antique, whatever its resale value.

France

Place Vendome houses, French assay marks and workshop punches in a lozenge.

Art Deco platinum and diamond ring with geometric shoulders on green velvet

Paris · founded 1847

Cartier

Tank and Santos watches, LOVE and Trinity, Art Deco platinum

Cartier was founded in Paris in 1847 by Louis-Francois Cartier and became an international house under his three grandsons, who opened London in 1902 and New York in 1909. Its signed vintage pieces are among the most recognizable and the most copied in the world, so a Cartier attribution rests on the signature, the serial or reference number, the French assay and maker's marks and the quality of the work together, never on the signature alone.

House and marks
Art Nouveau enamel pendant with plant motifs beside a mid-century gold brooch on olive velvet

Paris · founded 1906

Van Cleef & Arpels

Mystery Set stones, Alhambra, Zip and ballerina clips

Van Cleef & Arpels opened on the Place Vendome in Paris in 1906, founded by Alfred Van Cleef together with the Arpels family. The house is known above all for the Mystery Setting, patented in 1933, in which calibrated stones are held on hidden rails so no metal shows between them, and for the Alhambra motif introduced in 1968. Signed pieces are scarce in estate stock and are always worth researching properly.

House and marks
Loose antique cut garnet, emerald, sapphire and diamond stones on a paper parcel

Paris · founded 1858

Boucheron

Question mark necklaces, nature motifs, Place Vendome goldsmithing

Boucheron was founded in Paris in 1858 by Frederic Boucheron and in 1893 became the first jewelry house to open on Place Vendome. Its vintage work runs from naturalistic nineteenth century pieces through Art Deco geometry to the bold gold jewelry of the 1960s and 1970s, and French pieces normally carry both a signature and French assay and maker's marks.

House and marks
Edwardian platinum filigree pendant with milgrain detail on pale silk

Paris · founded 1780

Chaumet

Tiaras, Napoleonic history, light architectural settings

Chaumet traces its origins to 1780 in Paris, when Marie-Etienne Nitot established the workshop that became jeweler to Napoleon. The house is best known for tiaras and for a light, architectural approach to setting, and its vintage pieces are identified by the signature together with French assay and maker's marks rather than by style alone.

House and marks

Italy

Goldsmithing first: engraving, mesh and color, with Italian province maker's marks.

Loose colored gemstones including sapphire, emerald, opal and garnet on a paper parcel

Rome · founded 1884

Bulgari

Serpenti, Tubogas gold, Monete coins and cabochon color

Bulgari was founded in Rome in 1884 by Sotirio Bulgari, a silversmith from Greece, and became the house that broke with French taste. From the 1960s onward its jewelry is unmistakably Roman: heavy yellow gold, cabochon rather than faceted stones, unexpected color combinations and classical references, including ancient coins set directly into gold.

House and marks
Retro 1950s rose gold cuff bracelet and cocktail ring on burgundy silk

Milan · founded 1919

Buccellati

Rigato and telato engraving, honeycomb tulle gold

Buccellati was founded in Milan in 1919 by Mario Buccellati and is recognized above all by its engraving. Techniques the house names rigato, telato, segrinato and ornato give its gold a textured, almost textile surface, and that hand work, rather than the signature alone, is what distinguishes genuine Buccellati.

House and marks
Vintage yellow gold curb, charm and fine link bracelets on warm cream linen

Milan · founded 1967

Pomellato

Nudo colored stones in warm rose gold

Pomellato was founded in Milan in 1967 by Pino Rabolini with the idea of jewelry made to be worn every day rather than kept for occasions. It is known for colored stones in warm gold, and for the Nudo ring introduced in 2001, whose faceted stone sits almost unset. Pomellato is a modern house, so its pieces are estate or pre-owned rather than vintage or antique.

House and marks
Antique gold rings with old-cut diamonds and a ruby on cream silk beside a brass ring dish

Vicenza · founded 1929

Fope

Flex'it woven gold mesh from Vicenza

Fope is an Italian goldsmith founded in Vicenza in 1929 and is known for flexible woven gold mesh, in particular the Novecento and Flex'it constructions that let a rigid looking gold bracelet stretch over the hand without a clasp. It is a modern house, so its pieces are estate or pre-owned rather than vintage.

House and marks

United States

American scale and enamel, with metal standards stamped rather than assayed.

Northern Europe

Danish sterling and modernist form, identified by design numbers.

Switzerland

Watchmaking discipline applied to jewelry, with reference and serial numbers.

Japan

Cultured pearls, judged on nacre, luster, surface and matching.

Reading marks

What each mark actually tells you

Signature
The house name, engraved or stamped. It is the weakest evidence on its own, because it is the easiest thing to add.
Assay mark
Applied by a national assay system, not by the house. The French eagle's head means 18K gold; it says nothing about who made the piece.
Maker's mark
A workshop punch, lozenge shaped in France, shield shaped in Italy. It identifies who physically made the piece.
Reference and serial numbers
A reference identifies the model; a serial identifies the example. On watches the numbers on case and movement should agree.
Design number
Used by houses such as Georg Jensen to identify a model that stayed in production for decades. It does not date your example.
Metal standard
750 for 18K, 585 for 14K, 925 for sterling, PT950 for platinum. A standard mark is about metal, never about attribution.

A word on attribution

A signature is evidence, not proof

We photograph every mark on every signed piece and describe what our examination establishes. Where the evidence does not fully support an attribution, we describe the piece as being in the style of the house rather than by it, and we say why.

Read the authenticity guides