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Guides

Jewelry eras, from Victorian to the 1980s

Every antique piece belongs to a moment. Learn to place a ring or a brooch in its era by its metal, its stones and the way it was made.

Victorian yellow gold locket and seed pearls on aged linen with old letters

The timeline

Two and a half centuries, in order

  1. 01

    Georgian

    1714 – 1837

    Entirely hand made, closed-back settings and foiled rose cuts, worked in high-karat gold and silver. Little survives, and almost none of it left a maker's mark.

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  2. 02

    Victorian

    1837 – 1901

    Three moods in one long reign: romantic gold and turquoise, sombre mourning jet and hair work, then lighter late-Victorian stars and crescents.

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  3. 03

    Art Nouveau

    1890 – 1910

    The whiplash line: irises, dragonflies and faces in plique-a-jour enamel and horn. Craft mattered more than carat weight, so the material is often modest.

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  4. 04

    Edwardian

    1901 – 1915

    Platinum made lace possible: garland swags, millegrain edges and knife-wire settings holding old European cuts and natural pearls.

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  5. 05

    Art Deco

    1920 – 1939

    Geometry, symmetry and contrast. Platinum with calibre-cut sapphires and onyx, step cuts, and the first machine-age precision in the setting itself.

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  6. 06

    Retro

    1939 – 1949

    Platinum was requisitioned for the war, so gold came back heavy and sculptural: scrolls, bows and tank-track bracelets in rose and yellow gold.

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  7. 07

    Mid-century

    1950 – 1969

    Textured gold, starbursts and sprays, and the rise of the signed house piece. Diamonds return in clusters rather than as single stones.

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  8. 08

    1970s and 1980s

    1970 – 1989

    Bold links, generous gold weight and open, architectural forms, with far more signed and dated work than any earlier period.

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Antique gold rings with old-cut diamonds and a ruby on cream silk beside a brass ring dish

Written in the workshop

Everything here is written by the people who buy and restore these pieces

No stock copy and no invented history: if a fact is not on the piece or in its paperwork, we say so.

From the reading to the piece

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